 |
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| 1953
Born in
Norfolk, VA 1978 B.A. Old Dominium University, VA 1980 M.F.A. Virginia Commonwealth University |
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| One Person Exhibitions |
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| 2008 |
"Islands", P.P.O.W, New York, NY | |
| 2007 |
"Photographs", Cerealart
Proyect Room, Philadelphia, PA "Secrets Sleep In Winter Clothes", MAM Mario Mauroner Contemporary Art, Vienna, Austria "White Out", ARCO Projects,Madrid, Spain |
|
| 2005 | "Cold Front", P.P.O.W Gallery, New York, NY | |
| 2004 |
"The Frigid Zone",
Mario Mauroner Contemporary Art Salzburg, Austria "Travelers", Museo de la Universidad de Alicante, Spain "Travelers", Rhona Hoffman Gallery, Chicago, IL |
|
| 2003 |
"Travelers", P·P·O·W,
New York, NY "Travelers", Moriarty Gallery, Madrid, Spain |
|
| 2001 | P·P·O·W, New York, NY | |
| 2000 | "Loss of Experience", Santa Barbara Contemporary Arts Forum, Santa Barbara, CA | |
| 1999 | "Dis",
Momenta, Brooklyn, New York Espacio Caja de Burgos, Burgos, Spain |
|
| 1998 | P·P·O·W, New York, NY | |
| 1997 | Alejandro Sales Gallery, Barcelona, Spain | |
| 1996 | P·P·O·W,
New York, NY Moriarty Gallery, Madrid, Spain |
|
| 1994 | "A Cure for all Remedies and Other Short Stories", P·P·O·W, New York, NY | |
| 1993 | The Chrysler Museum, Norfolk, VA | |
| 1992 | P·P·O·W, New York, NY | |
| 1991 | "Drawings from the Patent Office", P·P·O·W, New York, NY | |
| 1989 | P·P·O·W, New York, NY | |
| 1988 | P·P·O·W, New York, NY | |
| 1986 | P·P·O·W, New York, NY | |
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1984
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P·P·O·W,
New York, NY |
|
Selected Group Exhibitions |
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| 2008 |
"Cool!",
George Adams Gallery, New York, NY "Artists Plates", Nohra Haime Gallery, New York |
|
| 2007 |
"Am
Schlimmsten / Nicht im Sommer sterben", Nassauicher Kunstverein
e.v.,Wiesbaden,
Germany "Lost in the Woods", University of Arizona Museum of Art, Tucson, AZ |
|
| 2006 | "Das
Leben ein nicht endendes Fieber", Galerie Eugen Lendl. Graz,
Austria "Little Disasters", Mauroner RoomnumberOne, Vienna, Austria "Fête", Locks Gallery, Philadelphia, PA "Through the Rabbit Hole: Sleights of Scale and Flights of Fantasy", 21C Museum Foundation, Louisville, KY "Escenografías Simuladas. Fondos de la Colección Caja de Burgos", Iglesia de Santa Eulalia dei Catalani , Palermo, Italy. Travels to Instituto Cervantes, Stockholm, Sweden. "Paradisio & Inferno", Mario Mauroner Contemporary Art, Salzburg , Austria "Double Take", Schroeder Romero Gallery, New York, NY "Sense of the Real”, ARS'06, KIASMA Museum of Contemporary Art , Helsinki, Finland "New Art, New York: Reflections on the Human Condition", Hangar 7-Red Bull Kunsthalle, Salzburg, Austria "Where Truth Lies", Anne Reed Gallery, Ketchum, ID "An Assesment of Contemporay Figuration", David Klein Gallery, Birmingham, Michigan "Foreign Affair", Albany Arts and Culture Program at the Albany International Airport, Albany, NY "From the Island of Misfit Toys", Ben Maltz Gallery, OTIS College of Art and Design, Los Angeles, CA Art Brussels, MAM Mario Mauroner Contemporary Art, Belgium CIGE, China International Gallery Exposition, Galeria Moriarty, Beijing, China |
|
| 2005 | Art Cologne, MAM
Mario Mauroner Contemporary Art, Cologne, Germany "The Empire of Sighs", Numark Gallery, Washington, DC "Summertime", Mario Mauroner Contemporary Art, Vienna, Austria "New Art, New York: Reflections on the Human Condition",Trierenberg Holding AG, Traun, Austria "Memoria y Deseo", Fundacion Foto Colectania, Barcelona, Spain "In Focus: Contemporary Photography fromt the Allen G. Thomas Jr. Collection", North Carolina Museum of Art, Raleigh, NC "Presencias/ Ausencias", CAB, Burgos, Spain "Arts for Transit Along the Way", UBS Gallery, New York ARCO, Galeria Moriarty, Madrid, Spain “Foreign Affair”, The Center for Photography at Woodstock, NY "Rearranged/Redefined: Domestic Objects Reconsidered", Main Line Art Center, Haverford, PA |
|
| 2004 | Le Drôit
de Rève, Mario Mauroner Contemporary Art Salzburg, Austria ARCO, Galería Moriarty, Madrid, Spain The Art Show, PPOW Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY Art Cologne, Galerie Academia, Salzburg, Austria |
|
| 2003 | "MetroSpective
at City Hall Park", Public Art Fund, New York, NY "Multiple", Nassau Museum of Contemporary Art, Long Island, NY "Decade", Schroeder-Romero Gallery, Brooklyn, NY Hot Summer in New York, Sean Kelly Gallery, New York, NY Miami Art, PPOW Gallery, New York, NY White, Bill Maynes Gallery, New York, NY |
|
| 2001 | Animas!,
The Rotunda Gallery, Brooklyn, NY Mimic, GaleGates Gallery, Brooklyn, NY |
|
| 2000 | "Canal de
Seduccion", Valladolid, Spain "Fantasies and Curiosities", The Art Museum, Florida International University, Miami, FL "Plastic Monuments", Centro Municipal de Exposiciones Subte, Montevideo, Uruguay. "Snapshot", Comtemporary Museum, Baltimore, MD. |
|
| 1999 | "True West", P·P·O·W, New York, NY; Curated by Jason Murison | |
| 1998 | "De Imagenes y
Soportes", Palacio Revillagijedo, Gijon, Spain "Rights of Spring", P·P·O·W, New York, NY "Seeing Money", The Rotunda Gallery, Brooklyn, NY |
|
| 1997 | "Objectivity:
International Objects of Subjectivity", Contemporary Art Center of
Virginia, Virginia Beach, VA "No Small Feat: Investigations of the Shoe in Contemporary Art", Rhona Hoffman Gallery, Chicago, IL "Wit, Whimsy & Humor", curated by Mary Close, Castle Gallery, College of New Rochelle, New Rochelle, NY "The Chalkboard Chronicles", TZ Art & Co., NY |
|
| 1996 | "Domestic
Partnerships", Art in General, New York, NY "Group Hanging", Griffin Linton Gallery, Venice, CA "Homebodies, La Salle Partners at Nations Bank Plaza, Charlotte, NC "The Subverted Object", Ubu Gallery, New York, NY "Changing Places", Metro Tech Center, The Public Art Fund, Brooklyn, NY "Restos Humanos", Alejandro Sales Gallery, Barcelona, Spain |
|
| 1995 | "Revisiting the
Landscape", California Center for the Arts, Escondido, CA "(Unpainted to the Last): Moby Dick in American Art 1940-1990", The Spencer Museum of Art, University of Kansas, Lawrence, KS USA in Arco, curated by Kevin Consey, Arco, Madrid, Spain |
|
| 1994 | "Body Human",
Nohra Haime Gallery, New York, NY "Trajectories", The Spanish Institute, New York, NY "Woodworks", Adam Baumgold Fine Art, New York, NY "The Arabesque", P·P·O·W, New York, NY |
|
| 1993 | "Art/Functional Art", Turbulence, New York, NY | |
| 1991 | "Dead Heroes, Disfigured Love", curated by Christopher Sweet, Lorence Monk Gallery, New York, NY | |
| 1990 | "Writ in Water",
Solo Press/Solo Gallery, New York, NY Crown Press, New York, NY |
|
| 1989 | Gothenburg Art
Gallery, Sweden Sundsvalls Museum, Sweden Sodertalje, Sweden Studio Exhibition, P.S. 1 Museum, Long Island City, NY |
|
| 1988 | "Sculpture
Inside Outside", Walker Art Center, Minneapolis, MN (Winter 1989,
show travels to Museum of Fine Arts, Houston, TX) Esbo Museum of Art, Helsinki, Finland Norrkoping Museum of Art, Sweden "Desire Paths", The Schulman Sculpture Garden, White Plains, New York |
|
| 1986 | "Four Sculptors", P·P·O·W, New York, NY | |
| 1985 | "57th Between A
& D", Holly Solomon Gallery, New York, NY "East Village at the Centre", Saidye Bronfman Centre, Montreal, Canada, curated by Katya Arnold "Sculpture, Objects & Related Drawings", Art Palace, New York, NY "Out of Context", Piccadilly Gallery, catalogue, London, England New Work, P·P·O·W, New York, NY "A Brave New World, A New Generation", Udstillingsbygning ved Charlottenborg, Copenhagen, curated by Thomas Solomon; traveled to Lunds Konsthall, Sweden, (Catalog) |
|
| 1984 | "Summer Group
Exhibition", P·P·O·W, New York, NY "Behind The Stacks: 4th Annual Artists Books", Kathryn Markel Gallery, New York, NY |
|
Outdoor Sculptures and Installations |
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| 2005 | "Travelers", Wilshire/Normandie Metro Rail Station, MTA Metro Art, Los Angeles, CA. | |
| 2003 | "MetroSpective at City Hall Park", City Hall Park, New York, Public Art Fund, NY. | |
| 2002-03 | "Travelers", Grand Central Terminal, MTA Arts for Transit, NY. | |
| 2001 | "Forbidden Door", Bloomberg LP, Public Art Fund, NY | |
| 1997-2000 | "A Gathering", MTA’s Arts for Transit Program, Canal Street Station on the A and the C Lines, New York, NY | |
| 1998 | "Forest", Metro Tech Center, Public Art Fund, Brooklyn, NY | |
| 1996 | "Changing Places", Metro Tech Center, Public Art Fund, Brooklyn, NY | |
| 1988 | "911", The Schulman Sculpture Garden, White Plains, NY | |
Selected Bibliography |
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| 2008 |
McGee, Celia. "Aesthetic Heft,
Sized for a Snow Globe", The
New York Times, Arts & Leisure, January 6th, pg.19 Ganis, William B. "Walter Martin & Paloma Muñoz. Islands", Glass Quarterly, June, pg.77 Yablonski, Linda. ""Walter Martin & Paloma Muñoz. Islands", Catalogue Essay, "Islands", PPOW Gallery, New York |
|
| 2007 |
D'Acosta, Sema. "Blanco y Negro
(Petroleo y Nieve)", La
Fresa.org, March. Alemany, Luis. "El Arte en la era del calentamiento global", El Mundo, Feb. 17 Vidal Olivera, Jaume. "Walter Martin & Paloma Muñoz", El Mundo, Feb. 21 Nunez-Fernandez, Lupe. "Martin & Muñoz at the Nassauicher Kunstverein, Wiesbaden", saatchi-gallery.co.uk, March. |
|
| 2006 |
O'Neal, Lauren. "Report from
Helsinki", Art New England,
October/November. Somerstein, Rachel. "The Weather Inside is Frightful", Artnews, Oct. p.p. 122-125 French, Christopher. "Ars'06: Sense of the Real", Art Papers, Sep-Oct, p. 48-49. Lange, Christy."Ars'06", Frieze, Summer Issue, p. 278 Simon, Amy. "Ars 06", Artforum, April, p.290 Herzog, Samuel. "Hüsteln im Paradies", Neue Zürcher Zeitung, March 7th, Nr.55, p. 37 Hirvonen, Ari. "Encounters on Emerging Boundary Spaces", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 39-45 Olmo, Santiago B. "Winter Journey", Cataloge from "Sense of the Real" Ars 06, Museum of Contemporary Art KIASMA, Helsinki, p.p. 160-163 Hannele, Jäämeri. "Lähde tunteisiin", Suomen Kuvalehti, January, p.3, 46-47 |
|
| 2005 | Hake, Elaine. "Little Ball of
Horrors", The First Post,
December 24th Dawson, Jessica. "Reflecting on a Cultural Divide", The Washington Post, October 6, p. C08 Kleiman, Molly. "People Sticking their Heads into Things", NY Arts Magazine, Sept-Oct Vol. 10, No 9/10 "Cold Case: Walter Martin & Paloma Muñoz", The New York Sun, Jan 14-16, p. 14 “Walter Martin & Paloma Muñoz”, The New Yorker, Feb 7, p. 17 |
|
| 2004 | Alarcon, Pedro.
“Walter Martin & Paloma Muñoz”, La Fresa, Julio. Camper, Fred. Critic’s Choice, “Walter Martin & Paloma Muñoz”, Chicago Reader, February 20, p. 24. Alvarez Enjuto, Jose Manuel. “Walter Martin & Paloma Muñoz”, Lapiz, Isuue 2003, May-June, p.91. G. Artner, Alan. “McElheny succumbs to Glass’ Seductiveness”, Chicago Tribune, February 27, p. 25. B. Olmo, Santiago. “Viaje de Invierno”, Catalogo MUA, Alicante. |
|
| 2003 | McCormick, Carlo.
“Elegy in White: Walter Martin & Paloma Muñoz”, Aperture,
Winter Issue #173, pp. 18-31. Jarque, Fietta. “Misteriosos Cuentos en la Nieve”, El Pais, Babelia, December 13, p. 26. H. Pozuelo, Abel. “Walter Martin & Paloma Muñoz”, EL Mundo, November 20. Kimmelman, Michael. “A Seasonal Migration of Cultural Scope”, The New York Times , August 8th , Page E29, reproduction. Johnson, Ken. “Travelers: Walter Martin & Paloma Munoz”, The New York Times, Jan, 17th, Art in Review, page E 48 Johnson, Ken. “Travelers: Walter Martin & Paloma Muñoz”, The New York Times, Art Guide, January 23, p. E49 Paredes, Tomas. “Walter Martin & Paloma Munoz: Cuentos de Invierno”, EL Punto, Feb 3rd |
|
| 2001 | Crowder, Joan.
“Different Strokes,” Santa Barbara New Press – Scene, Jan. 7,
pp. 6. Wilson, Rob. “Walter Martín & Paloma Muñoz”, Sculpture Magazine, Summer, pg 14. Vogel, Carol. New York Times, March 2, p. E34. |
|
| 2000 | Catalogue. Canal de Seducción, with text by Mon Montoya, Valladolid, Spain | |
| 1999 | Art Brooklyn, The New Yorker,
“Walter Martin & Paloma
Muñoz”, Sept 27, pg 14. Catalogue. Espacio Caja de Burgos, Burgos, Spain. Laster, Paul. “Brooklyn Spice”, Artnet.com, October |
|
| 1998 | Barr, Tom. Review
(Objectivity: International Objects of Subjectivity, Contemporary Art
Center of Virginia) Sculpture, November. Johnson, Ken. New York Times, Friday, March 6, p. E43. Chambers, Christopher. “Picks,” NY Arts, March-April 1998, p. 35. (reproduction). |
|
| 1997 | Annas, Teresa.
“Worldly Visions,” The Virginian Pilot, December 13, p.13, E5. Hanzal, Carla, Objectivity: Pursuing the Subjective, exhibition catalogue reproductions, published by Contemporary Art Center of Virginia. Faultline. Journal of Art and Literature, Volume V. reproductions, front p. 61, November. Smith, Roberta. “Sculpture Adorns the Urban Terrain,” The New York Times, August 8, p. 23. Le Millenium, no. 19, “In To - Out Of,” reproductions p. 4. Gannett Newspapers, “Art Scene,” reproduction, p. 14C. Raynor, Vivian. “From a Partnership of ‘Elements’ to a Show of Playfulness,” The New York Times. Hudson Valley, “Chuckle, Chuckle,” reproduction, February. |
|
| 1996 | Catalogue.
Walter Martin & Paloma Muñoz, with essay by Dan Cameron.
P·P·O·W, New York; Galería
Moriarty, Madrid. Gear, Josephine. “Changing Places,” Review, November 1, p. 18 |
|
| 1995 | El Punto,
“Más participación extranajera, 75 galerías con
oferta de nivel,” February 10-16, p. 18, reproduction. Babelia (El País), “Poderoso caballero,” February 11, pp.6-7, reproduction. El País, “La feria cierra con un aumento de ventas y publico,” February 15, p. 39, reproduction. Diario, “La Feria de Arte Contemporáneo se clausuró con excelentes resultados de visitantes y de ventas,” February 15, p. 49, reproduction. |
|
| 1994 | Catalogue, ARCO 1994, reproduction. | |
| 1993 | Catalogue, Art/Functional
Art, Turbulence, New York, NY. Catalogue, Parameters: Walter Martin, The Chrysler Museum. Norfolk, VA. McGreevy, Linda. “Irony and Melancholy Haunt Norfolk Native’s Newest Work,” July. Van Horn, Virginia. “Martin masters sleight of hand in Chrysler exhibit,” The Virginian-Pilot and The Ledger-Star, August 22, reproduction. Annas, Teresa. “Pianos, clocks inhabit artist’s surreal world,” The Virginian-Pilot and The Ledger-Star, July 17, reproduction. |
|
| 1991 | Levin, Kim,
"Choices," The Village Voice, February 20. Levin, Kim, "Choices," The Village Voice, August 13. The New Yorker, Soho Galleries, October 21. Nikkei Art, 1992/6, p. 195. |
|
| 1990 | Woodard, Josef,
"Space and Matter," The Independent, April 5, p. 30. Freeman, Phylis, review, New Art, p. 130-131. New Art, Harry N. Abrams, Inc., New York, NY, p. 130-131. ARCO '90, Ajoblanco, reproduction, March, p. 45, Spain. "Cajon de Sastre para visitantes de escultura," ABC, reproduction, p. 128, Spain. |
|
| 1989 | Porges, M.F., "The
Shape of Reason," Shift, Number 2, San Francisco, CA, Spring. Stern, William, "Sculpture: Inside Outside," Cite, Summer, p. 20. Whitmore, Laura, "Outdoor Exhibition," Sculpture, May/June, p. 14. Sculpture: Inside Outside, essay by Carter Ratcliff, Walker Art Center, Minneapolis, MN; Rizzoli, NY; pp. 14, 44, 45, 166-173. Taylor, Paul, "Art Object Lessons," House and Garden Magazine, October, Reproduction, p. 68. |
|
| 1988 | Levin, Kim,
"Choices," The Village Voice, February 23, p. 40. Smith, Roberta, "An Array of Artists, Styles and Trends in Downtown Galleries," The New York Times, Friday, February 26, p. C48. Leigh, Christian, Review, Artforum, May, p. 144. (reproduction) Martin, Mary Abbe, "Strange Things Put on View at Walker Center," Star Tribune, Minneapolis, MN, Sunday, May 22. Maggi, Laura, "A New York, Una Galleria Minimalista," Casa Vogue, Italian, June, p. 138. Brenson, Michael, "Coming to Grips with Sculpture," New York Times, Sunday, June 19, p. 33,41. Martin, Mary Abbe, "Splendor in the Grass," reproduction, Artnews, October, p. 126-130. Raynor, Vivien, "Outdoor Sculpture With a Critical Note," The New York Times, Sunday, October 30. McCormick, Carlo, Exhibition Catalogue, Collide-A-Scope: The divergent perspectives of contemporary art's many facets, Galleri OTSO, Norrkopings, Konstmuseum, Goteborgs Konsthall, Sundsvalls Museum, Sodertalje Konsthall. |
|
| 1987 | Lathern, Alexia, Review of Exhibition at P·P·O·W, 108 An East Village Review, March/April 1987. | |
| 1986 | Sichel, Andy.
Review of Exhibition at P·P·O·W, DOWNTOWN,
June 18, p.6-7A. Panicelli, Ida. “Alice in Wonderland (Letter from New York),” NIKE New Art in Europe, July/August/September Issue, p. 75. Cameron, Dan, Review of Exhibition at P·P·O·W, Flash Art, October/November Issue, p. 75. (reproduction) APPEARANCES, Number 13, Fall/Winter 1986-87, reproduction, p. 22. |
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| 1985 | Shannon, Mark. Review of Exhibition at P·P·O·W, ARTS Magazine, February. | |
| 1984 | Raynor, Vivien. Review of Exhibition at P·P·O·W, The New York Times, Friday, November 30. | |
| Grants and Awards 2007 Received a fellowship from the Pennsylvania Council on the Arts 1988 P.S.1 Studio Program, Long Island, NY Collections University of Arizona Museum of Art, Tucson, AZ The Toledo Museum of Art, Toledo, Ohio Walker Art Center for the Arts, Minneapolis, MN Miami Museum of Art, Miami, FL The Hunter Museum of American Art, TN Museum of Art and Design, New York, NY Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain CAB Centro de Arte Caja de Burgos, Burgos, Spain Colección Testimonio, La Caixa, Barcelona, Spain Aperture Foundation, New York, NY Museo de la Universidad de Alicante, Spain Prosegur, S.A., Spain Ayuntamiento de Pamplona, Spain MTA Arts for Transit, New York, NY MTA Metro Art, Los Angeles, CA Adam Baumgold Gallery, New York, NY Colección Norte,Gobierno de Cantabria, Spain Bloomberg L.P., New York, NY 21C Museum Foundation, Louisville, KY Progressive Insurance Corporation, Cincinnati, OH Nerman Museum of Contemporary Art, Overland Park, KS KIASMA Museum of Contemporary Art, Helsinki, Finland And private collections in the USA and Europe. |
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